艺术家简介 ARTIST BIO 作品 ARTWORKS
1969
生于中国辽宁沈阳
生活和工作在中国北京

主要个展

2016
荣与耻,麦勒画廊主办、站台中国当代艺术机构协办,展览地点:站台中国当代艺术机构,中国北京
2013
王兴伟,尤伦斯当代艺术中心(UCCA),中国北京
王兴伟(草图),01100001画廊,中国北京
2012
王兴伟,麦勒画廊 北京-卢森,瑞士卢森
2011
王兴伟,麦勒画廊 北京-卢森,中国北京
2008
王兴伟——个人展,麦勒画廊 北京-卢森,中国北京
2007
王兴伟——大划船,麦勒画廊 北京-卢森,中国北京
王兴伟——大划船,麦勒画廊 北京-卢森,瑞士卢森
2004
交织的梦,麦勒画廊 北京-卢森,瑞士卢森
2003
过继,上海香格纳画廊,中国上海
2001
还在画画——王兴伟和陈丹青,艺术文件仓库(CAAW),中国北京
1996
男性浪漫英雄史之尘,中央美术学院画廊,中国北京

主要联展

2016
新资本论——黄予收藏展(2007—2016),成都当代美术馆,中国成都
M+希克藏品: 中国当代艺术四十年,ArtisTree,中国香港
中国私语,伯尔尼美术馆和保罗克利艺术中心,瑞士伯尔尼
2015
Now Then — China's Avant-Garde twenty years later,Nieuw Dakota,荷兰阿姆斯特丹
跨界大师·鬼才达利——超现实大展,chi K11美术馆,中国上海
绘画札记,成都蓝顶美术馆,中国成都
交叉小径的花园——15位艺术家的路径与节点,沪申画廊,中国上海
绝对收藏指南,四方美术馆,中国南京
中华廿八人,亚洲艺术博物馆,美国旧金山;圣安东尼奥美术馆,美国圣安东尼奥
2014
戴汉志:5000名艺术家,魏特德维茨当代艺术中心,荷兰鹿特丹
1960
,泉空间,中国北京,泉空间,中国北京
Right is Wrong,Four decades of Chinese art from the M+ Sigg Collection,图片博物馆,瑞典于默奥
早期,站台中国当代艺术机构,中国北京
想向:六位中国当代画家,Bernier/Eliades,希腊雅典
2013
中华廿八人,卢贝尔家族收藏/当代艺术基金会,美国迈阿密
集锦手卷——十九位当代艺术家的书法,01100001 画廊,中国北京
写生,站台中国当代艺术机构,中国北京
进一步,退两步——我们与机构/我们作为机构,时代美术馆,中国广州
杜尚与/或/在中国,尤伦斯当代艺术中心 (UCCA),中国北京
时代肖像:当代艺术三十年,上海当代艺术博物馆,中国上海
2012
像想!中国当代肖像展,国立肖像美术馆,堪培拉;舍曼当代艺术基金会,悉尼,澳大利亚 CAPITAL — Merchants in Venice and Amsterdam,瑞士国家博物馆,瑞士苏黎世
第七届深圳雕塑双年展——偶然的信息:艺术不是一个体系,也不是一个世界,华侨城当代艺术馆(OCAT),中国深圳
开放的肖像,民生现在美术馆,中国上海
2011
图像·历史·存在——泰康人寿保险股份有限公司成立15周年艺术品收藏展,中国美术馆 ,中国北京
5x5 Castelló 2011——Premi Internacional d'Art Contemporani Diputació de Castelló, 西班牙卡斯特罗当代艺术中心 (EACC), 卡斯特罗,西班牙
青年——纪念吴涛(1969—2001),01100001画廊,中国北京
2010
民生现代美术馆开馆展——中国当代艺术三十年历程(1979—2009),民生现代艺术馆,中国上海
事物状态——中比当代艺术交流展,中国美术馆, 中国北京
改造历史——2000—2009年的中国新艺术,国家会议中心, 中国北京
丛林——中国当代艺术生态管窥,站台中国当代艺术机构,中国北京
Marcel Duchamp and the Forestay Waterfall,马塞尔杜尚美术馆,瑞士Cully
2009
事物状态——中比当代艺术交流展,比利时皇家美术宫,比利时布鲁塞尔
主场——当代艺术展,白盒子艺术馆,中国北京
资产阶级化的无产阶级——当代艺术在松江,上海创异公房,中国上海松江
文本:活在当下的中国绘画,荔空间,中国北京
2008
开幕展,白南准艺术中心,韩国水原-首尔
麻将——希客中国当代艺术收藏展,加利福尼亚大学;伯克利美术馆;太平洋电影文献馆;美国伯克利
我们的未来——尤伦斯基金会收藏展,尤伦斯当代艺术中心,中国北京
天空,红色空间,中国北京
趣味的共同体,伊比利亚当代艺术中心,中国北京
红归红——希克中国当代艺术收藏,胡安·米罗基金会,西班牙巴塞罗纳
2007
十年一觉1999—2007,和静园当代艺术中心,中国北京
能量——协同,DE 11 LIJNEN 基金会,比利时欧登堡
麻将——希客中国当代艺术收藏展,现代博物馆,奥地利萨尔茨堡
金猪年——希克中国现代艺术收藏展,考克大学 Lewis Glucksman 画廊,爱尔兰考克
纸上谈兵——名家纸面作品邀请展,四方当代美术馆,中国南京
2006
二踢脚,当代唐人艺术中心,中国北京
从“极地”’到“铁西区”——东北当代艺术展1985—2006,广东美术馆,中国广州
发生第一届左右艺术区艺术展,左右艺术区,中国北京
麻将——希客中国当代艺术收藏展,汉堡美术馆,德国汉堡
看上去都一样?来自日本、中国和韩国的艺术,Sandretto Re Rebaudengo基金会,意大利都灵
第六界上海双年展,上海美术馆,中国上海
2005
告诉我...抓住我...隐藏的视界——谢南星和王兴伟,艺术文件仓库(CAAW),中国北京
墙:中国当代艺术二十年的历史重构,中华世纪坛世界艺术馆,中国北京;奥尔布莱特-诺克斯美术馆;纽约州立大学水牛城分校美术馆;安德森美术馆,美国纽约
中国:未来的当代艺术,Spazio Oberdan,意大利米兰
形象的基因:中国制造,麦勒画廊 北京-卢森,瑞士卢森
麻将——希客中国当代艺术收藏展,伯尔尼美术馆,瑞士伯尔尼
中国——当代绘画,博洛尼亚文化艺术基金会,意大利博洛尼亚
2004
魂不附体,艺术文件仓库(CAAW),中国北京
堕落,中国现代艺术基金会,比利时根特
里里外外——中国当代艺术展,里昂当代艺术馆,法国里昂
超越界限,沪申画廊,中国上海
丝绸网——新生的中国艺术家,麦勒画廊 北京-卢森,瑞士卢森
天下,安特卫普当代美术馆,比利时安特卫普
2003
节点·中国当代艺术的建筑实践,上海联洋建筑博物馆,中国上海
布拉格双年展,捷克布拉格
打开天空——当代艺术展,上海多伦现代美术馆,中国上海
二手现实——后现实,今日美术馆,中国北京
2002
首届广州当代艺术三年展,广东美术馆,中国广州
海市蜃楼,苏州美术馆,中国苏州
2001
天地之间——今日艺术中的新古典主义运动,P.M.M.K现代美术馆,比利时奥斯坦德
首届成都双年展,成都现代艺术馆,中国成都
2000
不合作方式,上海东廊,中国上海
异常与日常,上海原弓美术馆,中国上海
肖像,人物,一对和一组,上海比翼艺术中心,中国上海
未来——中国当代艺术,当代艺术中心(CACOM),中国澳门
1999
dAPERTutto,第48届威尼斯双年展,意大利威尼斯
转折点——回顾和展望,波恩美术馆,德国波恩;Künstlerhaus & 20er Haus,奥地利维也纳
观念,颜色和激情,艺术文件仓库(CAAW),中国北京
中国现代艺术基金会收藏展,比利时根特
创新Ⅰ,艺术文件仓库(CAAW),中国北京
改变视觉,Hof 88美术馆,荷兰阿梅洛
来自中国的新绘画,油画国际艺术画廊,荷兰阿姆斯特丹
心声——中国当代摄影,塞普勒斯摄影大学画廊,美国塞普勒斯;BC空间画廊,美国拉古那海滩
1998
It’s Me——是我!,紫禁城工人文化宫(原太庙主殿),中国北京
中国五千年,古根海姆美术馆,西班牙毕尔巴鄂
偏执,北三环东路十号地下室,中国北京
1997
第四届里昂当代艺术双年展,法国里昂
1996
中国现在,立特曼文化项目中心,瑞士巴塞尔;帕库广场和麒麟艺术,日本东京
中国——15个艺术家的工作室,Artcircolo艺术项目有限公司,德国慕尼黑
追昔——中国当代绘画,水果市场画廊,英国爱丁堡
1994
阶段测验,中央美术学院画廊,中国北京
Selected Bibliography

Goodrow, G. A. (2014). Crossing China. Land of the Rising Art Scene. DAAB Media GmbH. Cologne, Germany. p. 97.
Wang Xingwei (2013). In: KALEIDOSCOPE. Issue 19 (Fall 2013). Kaleidoscope Press, Milano. pp. 60-68.
Hammond, D. (2013). Drew Hammond on Wang Xingwei at UCCA, Beijing: Globalism In Reverse. In: Texte zur Kunst (September), Berlin. pp. 214-217.
Ullens Center for Contemporary Art (2013). Wang Xingwei (catalogue). Beijing, China.
Robert, C. (2012). GO F!GURE. Contemporary Chinese Portraiture. New South Wales, Australia: Imago. pp.98-99.
Su Wei (2012). Wang Xingwei. In: LEAP – The International Art Magazine of Contemporary China, Beijing, China, pp. 190-191
Wang Xingwei (2011). Wang Xingwei: One Person Playing Song-and-Dance Duet. In: Art World 259, Shanghai, China, pp. 111
Luo Ying (2011). Painting “Killer” Wang Xingwei. In: Hi Art 2011/12, Beijing, China, pp.72-75
Colonnello, N. (2011). An informal talk between Nataline Colonnello and Wang Xingwei on the exhibition “Wang Xingwei”, 2011. Available: http://www.galerieursmeile.com/artists/artists/wang-xingwei//the_texts.html. Last accessed 14 December 2011.
Colonnello, N. (2011). “Wang Xingwei — Side Park Football Field”. In: 5x5 Castelló 2011 — Premi Internacional d’ Art Contemporani Disputació de Castelló (catalogue). Castelló: Espai d’ Art Contemporani de Castelló, p. 50.
Colonnello, N. (2011). “Wang Xingwei — Untitled”. In: Image · History · Existence — Taikang Life 15th Anniversary Art Collection Exhibition (catalogue). Beijing: Culture and Art Publishing House, p. 237.
Xu Fang (2011). Wang Xingwei — The Incisive Ventriloquist. In: CIGE Gallery Guide, 16, pp. 62-64.
Yinghua Lu, Carol (2011). Wang Xingwei. In: Vitamin P2, New Perspectives in Painting. London: Phaidon Press Limited 2011. pp: 306 – 307.
Zhang Li (2011). True or False? Wang Xingwei, And Everything After. In: LEAP, The International Art Magazine of Contemporary China, Beijing, China, pp.122-129.
Wang Xingwei (2010). Wang Xingwei. In: The Official Opening of Minsheng Art Museum – Thirty Years of China Contemporary Art 1979-2009 (catalogue). Beijing: Minsheng Art Museum, p. 459.
Yinghua Lu, Carol (2009). Wang Xingwei. In: Ai Weiwei, Fang Di’an and Tuymans, L. (ed.). The State of Things – Brussels/Beijing (catalogue). Brussels and Tielt: BOZAR EXPO & Lannoo Publishers, pp. 198-199.
White Box Museum of Art (2009). The Home Court. An Exhibition of Contemporary Art: White Box Museum of Art, Beijing, China, pp. 78-79.
Albertini, C. (2008). Wang Xingwei. In: Avatars and Antiheroes. A Guide to Contemporary Chinese Artists. Tokyo New York London: Kodansha International. pp. 108-111.
Colonnello, N. (2008). On Wang Xingwei’s Recent Oil Paintings. In: From Heaven to Earth. Lorenzo Sassoli de Bianchi, Chinese Contemporary Painting. Bologna: Damiani Editore. pp. 142-155
Nam June Paik Art Center (2008). Now Jump Station. Suwon-Seoul: Nam June Paik Art Center. pp. 35, 84-85
O’Dea, M. (2008). Hot Art In The Slow Season. Urbane, 12. pp. 37-39.
Yuki M. (2008). Fugitive Tales. Mute, 1. pp. 24-29.
Colonnello, N. (2007). Large Rowboat is Not a Group Show. Art Today, 2. pp. 172-177.
Tinari, P. (2007). Wang Xingwei. In: China Art Book. The 80 most renowned Chinese artists. Cologne: DuMont Buchverlag. pp. 440-447.
Hopfener, B. (2007). Kunst aus China auf der Art Basel. Steigende Nachfrage. Available: http://www.artnet.de/magazine/news/hopfener/hopfener06-14-07.asp. Last accessed 21 June 2007
Colonnello, N. (2007). Wang Xingwei: Large Rowboat. Available: new.artzinechina.com/display_vol_aid371_en.html. Last accessed: 14 June 2007.
Lu Carol (2007). Review Wang Xingwei: Large Rowboat. Art Asia Pacific, 53. p. 120.
Lin Jia (2006). Interview with Wang Xingwei. In: Double-Kick Cracker. Beijing: Tang Contemporary Art Center (Ed.). pp. 138-143.
Bonami, F. (2006). China. Japan. Korea. Arte dal Giappone, dalla Cina a dalla Corea. Milan: Electa Mondadori. pp. 226-231.
Guandong Fine Art Museum (2006). From ‘Polar Region’ to ‘Iron Westsection’: Northeast Contemporary Art 1985-2006. Guangzhou, China: Lingnan Fine Art Publishing House. pp. 54-77.
Ai Weiwei (Ed.) (2006). Instants. 1st Exhibition of Left Right Art Zone. Beijing: Left Right Art Zone. pp. 7-9.
Ambrozy, L. (2005). A Discerning Eye - Catch a Sight Unseen at the CAAW this month. That's Beijing Magazine. Beijing: China International Press. November 2005, pp. 45, 47.
Ai Weiwei (2005). The Joy of Running Away And All That Catches The Eye. In: Catalogue Show Me... Catch Me... Sight Unseen: Xie Nanxing and Wang Xingwei. Beijing: China Art Archives & Warehouse (CAAW), Galerie Urs Meile, Beijing-Lucerne. pp. 7-9.
Battiston, E. (2005). Nuove Prospettive Nella Pittura Cinese. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna Italy: Damiani. pp. 16, 130-155.
Sassoli de Bianchi, L. (2005). Tra Cielo e Terra. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna Italy: Damiani. pp. 6,7.
Coen, V. (2005). Orizzonte Cina. In: Cina. Pittura Contemporanea (Sassoli de Bianchi, L., Ed.). Bologna Italy: Damiani. p. 9.
Colonnello, N., Xie Nanxing, Wang Xingwei (2005). A Criss-Crossed Interview with Xie Nanxing and Wang Xingwei. In: Catalogue Show Me... Catch Me... Sight Unseen: Xie Nanxing and Wang Xingwei. Beijing: China Art Archives & Warehouse (CAAW), Galerie Urs Meile, Beijing-Lucerne. pp. 14-17.
Colonnello, N., Xie Nanxing, Wang Xingwei (2005). Nataline Colonnello, Xie Nanxing and Wang Xingwei’s Talks about the Exhibition Show Me... Catch Me... Sight Unseen. In: Catalogue: Xie Nanxing and Wang Xingwei. Beijing: China Art Archives & Warehouse (CAAW), Galerie Urs Meile, Beijing-Lucerne. pp. 25-31.
Gao, Minglu (Ed.) (2005). Rentai – Consuming the Real: Situational Realism in the 1990s. In: Gao, M. The Wall: Reshaping Contemporary Chinese Art. Beijing: Millennium Art Museum. pp. 113-114, 320.
Palazzoli, D. (2005). L’arte oltre il 2000 fra pittura e nuovi media. In: Palazzoli, D. Cina: Prospettive d' Arte Contemporanea. Milano: Skira. pp. 106-107.
Fibicher, B. (2005). Mahjong - Contemporary Chinese Art From The Sigg Collection. Ostifildern-Ruit: Hatje Cantz. pp. 268-271.
Colonnello, N. (2005). Pictorial DNA made in China. Introductory by Nataline Colonnello. Galerie Urs Meile, Beijing-Lucerne.
Guy & Myriam Ullens Foundation (2004). Wang Xingwei: The Monk and the Demon. Contemporary Chinese Art. Lyon, France: Musee d'Art Contemporain, Guanzhou, China: Guangdong Museum of Art. p. 72.
Colonnello, N. (2004). Silknet - Emerging Chinese Artists. Introductory by Nataline Colonnello. Galerie Urs Meile, Beijing-Lucerne.
Dematté, M. (2004). I Quote, Therefore I am - Wang Xingwei's Chameleonic Painting. Galerie Urs Meile, Beijing-Lucerne. Flash Art International, Italy. 241, p. 93.
Museum of Contemporary Art of Antwerp (MuHKA), Guy & Myriam Ullens Foundation (Eds.) (2004). All Under Heaven. De Baere, B., Chen Shaoxiong, Fei Dawei, Wang Xingwei, and Xu Zhen: A Moment with Wang Xingwei and Xu Zhen. Antwerp Belgium: Antwerp Museum of Contemporary Art of Antwerp.
Gu Zhenqing (Ed.) (2004). Chinese Contemporary Art – Texts and Interviews (Chinese Contemporary Art Award CCAA 2004). Beijing: TimeZone 8. pp. 105-108.
Shanghai Duolun Museum of Modern Art (Ed.) (2003). Open Sky - Contemporary Art Exhibition. Wang Xingwei. Shanghai. p. 72.
Today Art Gallery, Beijing (Ed.) (2003). Second Hand Reality - Post Reality. Wang Xingwei. Beijing. p. 24.
Van Dijk, H., Welsh, E. (2002). Portraits, Figures, Couples and Groups: From the Collection of the Modern Chinese Art Foundation. Beijing: The Modern Chinese Art Foundation (MCAF).
Liu Xiaochun, et al. (2001).The First Chengdu Biennial. Wang Xingwei. Chengdu China: Sichuan Fine Art Publishing House. p. 444.
Lü Peng (2000). 90's Art China - 1990-1999. Shenzen China: Hunan Fine Art Publishing House. p. 176.
Leng Lin (2000). It’s Me! Beijing: China Wenlian Publishing House. p. 20.
Eastlink Gallery, Shanghai, Ai W. (2000). Fuck Off. Wang Xingwei. Shanghai: Eastlink Gallery. p. 128.
Decrop, J.-M., Serfaty, P., et al. (2000). Futuro - Chinese Contemporary Art. Macau: Fundacao Oriente (CACOM), pp. 16, 48.
Xu Xiaoyu (1999). Talking is the Road, Hunan Art Publishing House. p. 192.
Spada, C. (1999). Hsin: A Visible Spirit - Contemporary Photography from the People's Republic of China. Cypress College.
Clark, J., van Dijk, H. (1999). Inaugural Exhibition Modern Chinese Art Foundation (MCAF). Gent Belgium: Modern Chinese Art Foundation. p.17.
Bernell, R. (1999). Notable. The Modern Chinese Art Foundation (MCAF). In: Chinese Type Contemporary Art Online Magazine. Hong Kong: New Art Media Limited. 2 (6), p. 50.
Bernell, R. (1999). Review Exhibition Summer Concepts at China Art Archives and Warehouse (CAAW). In: Chinese Type Contemporary Art Online Magazine. Hong Kong: New Art Media Limited. 2 (5), p. 36.
Dal Lago, F. (1999). Of Site and Space: The Virtual Reality of Chinese Contemporary Art. In: Chinese Type Contemporary Art - Online Magazine. Hong Kong: New Art Media Limited. 2 (4), p. 3.
Dematté, M. (1999), Chinese Art ... It's d’APERTutto!. In: Chinese Type Contemporary Art - Online Magazine. Hong Kong: New Art Media Limited. 2 (4), pp. 14, 21.
Bernell, R. (1999). Review Exhibition Innovations China Art Archives & Warehouse (CAAW). In: Chinese Type Contemporary Art - Online Magazine. Hong Kong: New Art Media Limited. 2 (4). p. 41.
Leng, L. (1999). It' s Me!. In: Chinese Type Contemporary Art - Online Magazine. Hong Kong: New Art Media Limited. 1 (6), p. 28.
Kielstra, M. (1999). Platform 99 – 70. Young Visual Artists from Asia and Latin America. Amsterdam: Canvas Foundation. p. 66.
Huang, Danhui (1998). Review on the first exhibition of seven emerging oil painters from the Northeast (Shoujie Dongbei Youhua Xinrui Qirenzhan Shuping. In: Jiangsu Art Monthly. Nanjing China. 12. p. 23.
Chinese Contemporary Art Award (CCAA) )(1998). p. 14.
Leng, L. (1998). It's Me! - Main Ritual Hall of the former Imperial Ancestral Temple. Beijing: Workers' Cultural Palace, Forbidden City. p. 20.
Xu Ruotao, Xu Yihui (1998). Corruptionists. Beijing. p. 20.
Canvas Foundation and Galerie Serieuze Zaken (1998). Confused ... - Reckoning with the Future. Contemporary Paintings and Photography. Amsterdam. p. 36.
Bernell, R. (1998). Review Exhibition Losing Efficiency, Saving Oneself - First Annual Oli Painting Exhibition of Seven Artists From the Northeast. Luxun Art Academy, Shenyang. In: Chinese Type Contemporary Art Online Magazine. Hong Kong: New Art Media Limited. 1 (5), p. 47.
Littmann Kultur Projekte, Basel, Parco Square and Kirin Art, Tokyo, Japan (1997). China Now.
Zhang, S., et al. (1996). Reckoning with the Past - Contemporary Chinese Painting. Edinburgh: The Fruitmarket Gallery. p. 11.
Hu, F., et al. (1996). Aktuelles aus 15 Ateliers. Performances. Installationen. Munich: Hahn Produktion.
Jiangsu Art Monthly (1994). Test Period - Exhibition about Northeastern young painters Wang Xingwei, Zhang Xin, Ye Yingyu, Liu Rentao. Nanjing. 10, p. 57.
Jiangsu Art Monthly (1995). Wang Xingwei. All Happy Families are the Same. Nanjing. 3, p. 57.
电影博物馆里的大树 Big Tree by the Film Museum
2010
Oil on canvas 布面油画
120 × 150 cm
无题(两个篮球) Untitled (Two basketballs)
2007
Oil on canvas 布面油画
100 x 80 cm
Flower
2003
Oil on corrugated sheet 瓦楞板油画
210 x 95 cm
Flower
2003
Oil on corrugated sheet 瓦楞板油画
210 x 95 cm
Flower
2003
Oil on corrugated sheet 瓦楞板油画
210 x 95 cm
Flower
2003
Oil on corrugated sheet 瓦楞板油画
210 x 95 cm